大学化学 >> 2024, Vol. 39 >> Issue (9): 189-195.doi: 10.12461/PKU.DXHX202312075

所属专题： 化学科普(2024)

科普 上一篇    下一篇

跨越九百年的青山绿水：从化学视角解密《千里江山图》

黄伟1, 陈伟伟2, 汤永兴1   

  1. 1 南京理工大学化学与化工学院, 南京 210094;
    2 中国传媒大学图书馆, 北京 100024
  • 收稿日期:2023-12-24 修回日期:2024-01-12 发布日期:2024-09-23
  • 通讯作者: 汤永兴 E-mail:yongxing@njust.edu.cn
  • 基金资助:
    国家一流本科专业建设点(教高厅函[2022]14号)；江苏省品牌专业建设点(苏教高函[2022]10号)

Green Mountains and Blue Waters Spanning Nine Centuries: Decrypting “The Picture of a Thousand Miles of Rivers and Mountains” from a Chemical Perspective

Wei Huang1, Weiwei Chen2, Yongxing Tang1   

  1. 1 School of Chemistry and Chemical Engineering, Nanjing University of Technology, Nanjing 210094, China;
    2 Library, Communication University of China, Beijing 100024, China
  • Received:2023-12-24 Revised:2024-01-12 Published:2024-09-23
  • Contact: Yongxing Tang E-mail:yongxing@njust.edu.cn

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摘要： 《千里江山图》作为中国的十大传世名画之一，不仅代表了青绿山水画艺术的发展历程，更是中国古老文明的缩影。该画作流传久远，历时九百余年依旧绚烂多彩，与其材质、颜料、胶结材料密切相关。本文从化学视角出发，分析《千里江山图》使用的颜料与胶结材料，并以拟人化的方式逐个介绍它们的性格与特点，如“石墨大哥”“赭石阿姨”“青绿兄弟”“砗磲姑娘”和“明胶叔叔”。探讨他们的化学成分与理化性能，揭示这些惊艳的颜料共同打造《千里江山图》辉煌的秘诀。通过激发古典艺术与现代科技的思考，促进艺术鉴赏与科技创新的融合。

关键词: 文化遗产, 颜料, 碱式碳酸铜, 明胶

Abstract: “The Picture of a Thousand Miles of Rivers and Mountains” stands as one of China’s ten great masterpieces, symbolizing not only the evolution of green landscape painting but also encapsulating a microcosm of ancient Chinese civilization. Handed down through centuries, this painting continues to radiate vibrancy and color, intricately intertwined with its materials, pigments, and binding agents. This article adopts a chemical perspective to meticulously analyze the pigments and binding agents employed in “The Picture of a Thousand Miles of Rivers and Mountains”, personifying them as “Brother Graphite”, “Aunt Ochre”, “Brothers Green and Blue”, “Miss Agate”, and “Uncle Gelatin”, elucidating their distinctive personalities and characteristics. Furthermore, it delves into their chemical components and physical properties, unveiling the magnificent secret behind the creation of “The Picture of a Thousand Miles of Rivers and Mountains” by these remarkable pigments. By provoking contemplation on the amalgamation of classical art and modern technology, this article strives to foster the convergence of art appreciation and technological innovation.

Key words: Cultural heritage, Pigments, Basic copper carbonate, Gelatin